With the growth of postcolonial theory in recent decades, scholarly views of Roman imperialism and colonialism have been evolving and shifting. Much recent discussion of the topic has centered on the ways in which ancient Roman historians consciously or unconsciously denigrated non-Romans. Similarly, contemporary scholars have downplayed Roman elite anxiety about their empire's expansion.
In this groundbreaking new work, Eric Adler explores the degree to which ancient historians of Rome were capable of valorizing foreigners and presenting criticisms of their own society. By examining speeches put into the mouths of barbarian leaders by a variety of writers, he investigates how critical of the empire these historians could be.
Adler examines pairs of speeches purportedly delivered by non-Roman leaders so that the contrast between them might elucidate each writer's sense of imperialism. Analyses of Sallust's and Trogus's treatments of the Eastern ruler Mithradates, Polybius's and Livy's speeches from Carthage's Hannibal, and Tacitus's and Cassius Dio's accounts of the oratory of the Celtic warrior queen Boudica form the core of this study. Adler supplements these with examinations of speeches from other characters, as well as contextual narrative from the historians. Throughout, Adler wrestles with broader issues of Roman imperialism and historiography, including administrative greed and corruption in the provinces, the treatment of gender and sexuality, and ethnic stereotyping.
The subject of renewed interest among literary and cultural scholars, Vernon Lee wrote more than forty books, in a broad range of genres, including fiction, history, aesthetics, and travel literature. Early on, Lee established her reputation as a public critic whose unconventional viewpoints stood out among those of her contemporaries.
To feminist and cultural critics, she is a fascinating model of the independent female intellectual who, as Desmond MacCarthy once put it, provides a rare combination of intellectual curiosity and imaginative sensibility.
A startlingly original critical study, Vernon Lee adds new dimensions to the legacy of this woman of letters whose career spans the transition from the late Victorian to the modernist period. Zorn draws on archival materials to discuss Lee’s work in terms of British aestheticism and in the context of the Western European history of ideas.
Zorn contends that Lee’s fiction and nonfiction represent a literary position that bridges and surpasses both the Victorian sage and the modernist aesthetic critic.
Through Professor Zorn’s approach, which combines theoretical framings of texts in terms of recent feminist and cultural criticism with passages of close reading, Vernon Lee emerges as an influential figure in late-nineteenth-century British and continental European thinking on history, art, culture, and gender.
When did the Victorians come to regard themselves as "Victorians" and to use that term to describe the period in which they were living? David Newsome's monumental history takes a good, long look at the Victorian age and what distinguishes it so prominently in the history of both England and the world. The Victorian World Picture presents a vivid canvas of the Victorians as they saw themselves and as the rest of the world saw them.
The Victorian era was a time of unprecedented population growth and massive industrialization. Darwinian theory shook people's religious beliefs and foreign competition threatened industry and agriculture. The transformation of this nineteenth-century world was overhwelming, pervading the social, cultural, intellectual, economic, and political spheres. By the time of the Great Exhibition in 1851, the British were calling themselves Victorians and Prince Albert was able to proclaim, "We are living at a period of most wonderful transition." David Newsome weaves all these strands of Victorian life into a compelling evocation of the spirit of a fascinating time that laid the foundation for the modern age.
Vienna in the Age of Uncertainty traces the vital and varied roles of science through the story of three generations of the eminent Exner family, whose members included Nobel Prize–winning biologist Karl Frisch, the teachers of Freud and of physicist Erwin Schrödinger, artists of the Vienna Secession, and a leader of Vienna’s women’s movement. Training her critical eye on the Exners through the rise and fall of Austrian liberalism and into the rise of the Third Reich, Deborah R. Coen demonstrates the interdependence of the family’s scientific and domestic lives, exploring the ways in which public notions of rationality, objectivity, and autonomy were formed in the private sphere. Vienna in the Age of Uncertainty presents the story of the Exners as a microcosm of the larger achievements and tragedies of Austrian political and scientific life in the late nineteenth and early twentieth centuries.
For many in the nineteenth century, the spoken word had a vivacity and power that exceeded other modes of communication. This conviction helped to sustain a diverse and dynamic lecture culture that provided a crucial vehicle for shaping and contesting cultural norms and beliefs. As science increasingly became part of public culture and debate, its spokespersons recognized the need to harness the presumed power of public speech to recommend the moral relevance of scientific ideas and attitudes. With this wider context in mind, The Voice of Science explores the efforts of five celebrity British scientists—John Tyndall, Thomas Henry Huxley, Richard Proctor, Alfred Russel Wallace, and Henry Drummond—to articulate and embody a moral vision of the scientific life on American lecture platforms. These evangelists for science negotiated the fraught but intimate relationship between platform and newsprint culture and faced the demands of audiences searching for meaningful and memorable lecture performances. As Diarmid Finnegan reveals, all five attracted unrivaled attention, provoking responses in the press, from church pulpits, and on other platforms. Their lectures became potent cultural catalysts, provoking far-reaching debate on the consequences and relevance of scientific thought for reconstructing cultural meaning and moral purpose.
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